DIXIE CHICKS SLATED TO RELEASE
HIGHLY-ANTICIPATED FOURTH ALBUM
TAKING THE LONG WAY
ON MAY 23, 2006
All Fourteen Tracks Co-Written by the Dixie Chicks
and Produced by Rick Rubin
New York, NY – March 10, 2006 – Superstars,
renegades, innovators, heroes, villains, and moms - over almost
a decade, the Dixie Chicks have grown from a band into a phenomenon.
Now more than ever, the eyes of the world are on them, and with
TAKING THE LONG WAY, they come out swinging, surpassing the pressures
and expectations history has placed upon them. The nine time Grammy-Award
winning Sony Recording artists will release this highly-anticipated
fourth album (Open Wide/Columbia/Sony BMG) on May 23, 2006.
With TAKING THE LONG WAY, one of the most
anticipated albums in recent years, the Dixie Chicks are putting
themselves out there like never before. For the first time, every
one of the disc's fourteen songs are co-written by the Chicks themselves,
exploring themes both deeply private and resoundingly political.
Collaborating with legendary producer Rick Rubin (who has worked
with everyone from Johnny Cash to the Red Hot Chili Peppers, from
Run DMC to Neil Diamond), the biggest-selling female band in history
has truly pushed themselves to new heights both as writers and as
performers.
"Everything felt more personal this time," says Natalie
Maines. "I go back to songs we've done in the past and there's
just more maturity, depth, intelligence on these. They just feel
more grown-up."
Rubin assembled a band including Chili Peppers
drummer Chad Smith, session hero Larry Knechtel, and Heartbreakers
Benmont Tench and Mike Campbell, and matched the Chicks with co-writers
including Dan Wilson (who wound up collaborating on six of TAKING
THE LONG WAY's songs), Pete Yorn, and Gary Louris of the Jayhawks.
Inspired by such classic rock artists as the Eagles, Tom Petty and
the Heartbreakers, and the Mamas and the Papas, TAKING THE LONG
WAY adds a sweeping, Southern California vibe to the Chicks' down-home
intimacy. That ambition is matched with lyrics addressing everything
from small-town narrow-mindedness ("Lubbock or Leave It")
to the psychology of celebrity ("Everybody Knows").
Not just "big for a country band" or "big for a big
female band," the Dixie Chicks are a multi-platinum selling
act in North America, Europe and Australia as well as one of a mere
handful of acts with multiple albums achieving "diamond"
status (meaning sales over 10 million copies) - both WIDE OPEN SPACES
(1998) and FLY (1999) hit that stratospheric landmark - and have
won nine Grammy awards. Their on-stage reputation has helped them
sell over $100 million worth of concert tickets, and outspoken songs
like "Goodbye, Earl" made it clear that this power trio
played by nobody's rules.
And that was all before Natalie Maines's comments
about a fellow Texan, President George W. Bush, during a London
appearance in March, 2003 really put the Dixie Chicks in the headlines.
The resultant uproar - complete with boycotts and death threats
- is the focus of TAKING THE LONG WAY's defiant first track, "Not
Ready to Make Nice." "The stakes were definitely higher
on that song," says Robison. "We knew it was special because
it was so autobiographical, and we had to get it right. And once
we had that song done, it freed us up to do the rest of the album
without that burden."
The results cover an impressive range of territory.
"Silent House" examines the emotions that come from watching
an older relative struggle with Alzheimer's. "It's So Hard
When It Doesn't Come Easy" addresses infertility, an issue
that both Robison and Maguire have faced. The Chicks debuted the
gospel-inflected "I Hope," co-written with Keb' Mo, during
last year's telethon benefiting the victims of Hurricane Katrina;
the album version features a blistering guitar solo by John Mayer.
"This album was total therapy,"
says Natalie Maines. "I'm way more at peace now. Writing these
songs and saying everything we had to say makes it possible to move
on."
Details are forthcoming
on a worldwide Dixie Chicks concert tour that will kick-off this
summer.
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